They can get you into places you can’t always go with ordinary cameras.” Micro Cinema Camera That’s what I like about action cams like those from Blackmagic Design. “I want to put the audience in amongst the action, so having a small camera you can rig very quickly is great for that. Picture by Blackmagic The compact form factor is a significant advantage when shooting actionĪs blockbuster director Michael Bay once said, that to get the most epic action shots, the camera must be located in the most dangerous places.īen elaborates on his on-set experience using the Micro Cinema camera to shoot action in Captain Marvel: “The bar for action sequences has been raised so high that for these to work you have to be very creative with the cameras you use,” concluded Davis. In order to get the most epic action shots, the camera must be located in the most dangerous places Michael Bay From the set of Captain Marvel. It appears, that the camera was used in tiny places when quick and dirty shots were needed, like in intense action sequences. Captain Marvel IMDB Tech Spec: Click to view larger image.īut then I saw Blackmagic press release that describes the utilization of the Micro Cinema Camera by Ben Davis, BSC which is the cinematographer behind “Captain Marvel”.
There is no mention to the Blackmagic Micro Cinema Camera. The codecs were ARRIRAW 6.5K and REDCODE RAW 8K. According to IMDB, the cameras used to shoot “Captain Marvel” are ARRI ALEXA 65, Panavision Millennium DXL and the RED Weapon 8K VV Monstro. When I searched for the Micro Cinema Camera on the film’s IMDB Tech Spec, I couldn’t find it. It’s always good to reveal that the cameras behind some of the most high-budget films are those that anybody can afford. Blackmagic Micro Cinema Camera An affordable camera on high-end productions According to Blackmagic, the Micro Cinema Camera was used on filming specific key action sequences.
It’s surprisingly appeared, that one of the cameras that shot Marvel Studios’ “Captain Marvel”, was the Blackmagic Micro Cinema Camera.
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